
VENUS MARINA / THE ROSES CAME ROARING
Sumer, 27 Beach Road, Tāmaki Makaurau Auckland
2023
Venus Marina / The Roses Came Roaring
Rules by which all works across the series can be seen to conform; not only in terms of palette, form, and material treatment, but also with the use of compositional structures. The most notable of these structures being Hill’s collage: wherein two rectangular panels of roughly cut canvas are superimposed upon a stretched canvas. Positioned horizontally, they obscure most of the canvas beneath. The two panels do not touch, yet they still divide the canvases in half—effectively creating two hemispheres: land and sky, sea and sky, two halves of a clam shell, or the upper and lower eyelid.

Venus Marina/The Roses Came Roaring (6), 2023, acrylic on canvas, 800 x 750 mm


Venus Marina/The Roses Came Roaring (4), 2023, acrylic on canvas, 800 x 750 mm

Venus Marina/The Roses Came Roaring (5), 2023, acrylic on canvas, 800 x 750 mm



Venus Marina/The Roses Came Roaring (7), 2023, acrylic on canvas, 800 x 750 mm

Venus in the Shell (10), 2022, acrylic on canvas, 800 x 750 mm



Venus Marina/The Roses Came Roaring (1), 2023, watercolour on incised paper, 590 x 550 mm

Venus Marina/The Roses Came Roaring (3), 2023, watercolour on incised paper, 590 x 550 mm

Venus Marina/The Roses Came Roaring (2), 2023, watercolour on incised paper, 590 x 550 mm




Venus in the Shell (3), 2022, watercolour on incised paper, 590 x 550 mm


Venus Marina/The Roses Came Roaring (9), 2023, acrylic on canvas, 1200 x 1100 mm

Venus Marina/The Roses Came Roaring (8), 2023, acrylic on canvas, 800 x 750 mm

Vesuvius (Venus in the Shell) (2), 2022, acrylic on canvas, 800 x 750 mm